Alexis Lindquist is a Cinema-Television Critical Studies major at the University of Southern California. Hailing from the Quad Cities Area in Illinois, Lindquist was able to become active in the arts at an early age through Quad City Arts. Her early experience with photography, documentary filmmaking, manipulating graphics in photoshop, and multi-media presentations fueled a fascination with new media. After teaching herself HTML coding, Lindquist began working as a lab assistant for a class on Dreamweaver in the Internet Technologies Program at USC and building websites for business professionals in Los Angeles. Shortly thereafter, she was commissioned as a photographer and videographer in the Digital Media Department at the prestigious Camp Laurel in Maine. Currently, Lindquist contributes to the new media department at Warner Brothers, Telepictures Productions. In the future, Lindquist plans to incorporate multimedia into all her career endeavors. She is interested in real estate and fiction writing as hobbies and intends to focus her career on the frontiers of new media and the film industry.
The Language We Don't Talk About: Hearing Time and Place in Film Scores delves into the world of musical color, specifically in relation to the creation of the sensation of a time and place in cinema. It is an in-depth exploration of this aspect of film music and its relationship with American culture. This project argues the musical color in film scores has become a national language. To challenge this point, a pedagogical flash website will provide users a myriad of interactive experiences to test their own score “literacy.” It is targeted for any film listener (even the blind) with basic explanations for casual theater-goers and links to detailed research for scholars.
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Does anyone have advice on a different title for my project? I feel like the one I have right now is kind of long...
I think it is fine. If anything though, keep the second part because it links it to your major and the thesis, while the first part is mostly to draw you in.
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